Collateral effects, by Sonia Arienta

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From today begin the meetings with the italian musicologist Sonia Arienta, who offers us a series of reflections about cultural politics immediate and future effects, concerning especially operatic world, and their collateral effects.
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Here’s the first article:

Collateral effects.

There are different censure’s typologies. The most unequivocal and intrusives ones, namely prohibitions and bans imposed by national governments and institutions over the centuries and still existing nowadays at different latitudes, there are not the most wicked ones. Not at all. As they are patent, they allow specialists (authors, musicians, composers, writers, artists) and audience to protect themself, to react, to find creative solutions circumventing them…
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