Filters and Catalysers, by Sonia Arienta

An opera-house, from the foyer to the stalls and the stage is a close texture of relations catalyser; a labyrintic play of mirrors between reality and fiction, between singers and audience, between audience and characters, characters and space, orchestra and voices, music and gestual expressiveness.

The connection between space and sound embraces different fields: acoustic and architecture, theory of perception and psychology of spaces, musical and visual interpretation (with direction, set, dress and light design). The world of the performance is something more than an inoffensive microcosm where are moving characters: thanks to the authors mediation it reflects their expectations and their lecture of the world, the organisation of real macrocosm inhabited by individuals…

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