Absence, by Sonia Arienta

In a time where are well appreciated, experimented contaminations and interweavings among different languages, genres, styles, between “high” and “low”, among, visual arts, sounds, words, operatic theatre can be judged a precursory and innovative cultural product. It is a genre based on the coexistence and the interrelation among the arts and the dissimilar competencies. Therefore, why is it too much often considered a remote and old-fashioned genre in the common perception? What does make it so and why? Nearby what kind of audience, and with what kind of judgement? Certainly, cooperate to create such a perception the absence or the superficial/careless space reserved towards opera theatre in the italian media. Not only television, addressed to a very heterogeneous audience, but the most important newspapers too, read by a more select public…
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Italian Version

Collateral effects goes on holiday….see you on September 8th!!!


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