“And we began to look into the stars”: the spiritual element in Karheinz Stockhausen‘s music, by Alfonso Alberti

The intersections between music and spirituality are many and most varied. Undoubtedly, in a more general sense, some form of spirituality could and should be part of every musical listening experience. As for Stockhausen’s music, anyway, the spiritual element is far from being unspecific, and there are strategies implemented in such a way that the listener is able to live a very peculiar experience.
The watcher should feel separated from what temporarily he deserted by getting into the concert hall; s/he should feel fully immersed in the sound environment; the experience shouldn’t be mediated by the rationality filter; the time should be suspended in a kind of trance where thinking surrenders to vision; and this vision should touch just what was never before experienced – these seem to be Stockhausen’s intentions when he conceives some of his most important compositions.
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